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Focus more on image than gears

John Sison

Photographer from Australia

I was lucky enough to have a play with the Samyang 18mm F2.8 FE. Samyang’s eighth autofocus lens for the Sony E-mount system and wow is their range growing at a fast pace. This not only gives much more choice to the photographer who is invested in the Sony system but is an affordable alternative compared to some of the other offerings that are currently on the market. 

 

 

 



To give you a quick rundown of the lens has a very simple design with the focus ring the only adjustable feature on the lens itself. The electronic contacts serve to communicate with the camera like autofocus, exif data and stabilisaton. No weather seals on it but one thing that I really love about is that it's just so light weighing at 145 grams to be exact. This makes it a great travel companion.




Speaking of travel companions, I’ve paired this primarily with the Sony a7 III and what a combo this is. Combining the fast autofocus, great image quality, low light performance from the camera plus a wide angle perspective which would be great for landscapes and scenic shots it enabled me to carry this camera with ease. I was able to focus more on the shot instead of thinking about how to pack my gear and how to carry it.




These days I consider myself more of a travel photographer. I love experiencing new cultures, enjoying new sites, pushing myself outside of my bubble to gain new perspectives, how people live and of course enjoy the food that they have to offer. I’ve been fortunate to do a lot of traveling these days from venturing out to mainly Asia like Hong Kong, the Philippines, Japan (my favourite country) and more and venturing out to different parts in Australia like Perth in Western Australia.




WhiIe the 18mm f2.8 is a lens that is more on the cheap side it doesn't that it can't produce good looking images. Thanks to its F2.8 aperture it is capable of shooting in low light conditions or to help blur out the background from my subject in focus. Ideally, I'd love a lens that is even wider in aperture but this is of course a tradeoff when it comes down to portability. Despite this shortcoming, I can still get good bokeh in photos and combined with a full frame sensor from the A7 III, I can easily achieve this. With lens I'm also able to capture images where like landscapes and cityscapes but also places where I find myself in tight spaces. 
 



For video, this might be a good lens that you may want to consider for vlogging. I did use it for that purpose while I was in Perth and it was wide enough to not only fit myself into frame but everything else. While there is no zoom, I found it sufficient for what I needed it for and didn't need to worry about myself not being in the frame because it is so wide. It did struggle a tiny bit when it was in low light conditions but that is a challenge even more expensive lenses have a hard time with but of course in well lit situations, it wasn't a huge problem. I did also attach it to my gimbal for some lightweight filming which came in handy, giving a good cinematic look and to give credit to the lenses' size and weight, my Ronin-SC was able to handle it just fine. 




 

 

All in all, I am liking what this lens has to offer and without a doubt due to its price, portability and capability to deliver when it comes to photographing landscapes, architecture and a varied amount of other applications it can be used for, this will certainly be in the hands of many photographers who own Sony mirrorless cameras. 
 
Feel free to take a look at my first look video on the Samyang 18mm F2.8 AF FE lens on the following link: https://youtu.be/6Im8VNoiQBA

 

 

森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

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为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X?)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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