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A Fantastic Addition to Ultra-Wide-Angle Collection

Simon White

Photographer from England

A Fantastic Addition to Ultra-Wide-Angle Collection



Samyang's amazing Ultra-wide-angle prime lens offers a new view of the world with no distortion.

The XP 10mm f/3.5 EF is Samyang's new premium lens in which they say is the WORLD’S WIDEST PRIME LENS- (except a fish-eye lens).This Premium XP series lens has been designed to work perfectly for cameras which have up to 50 megapixel sensors and 8K cinematography. This lens provides an ultra-wide-angle coverage up to 130° angle of view with a full-frame camera and 104° on a APS-C sensor. This particular lens is for Canon EF mount with manual focus and I was using it on a Canon 6D mk1 (full-frame) and a Canon M3 (APS-C mirrorless full spectrum conversion).

It was designed to be a Rectilinear distortion-free lens providing a great wide angle of view without barrel distortion. However with this type of lens it does suffer from perspective distortion (common on this type of lens) but can easily be overcome by carefully composing their images. This means that it is perfect for capturing a wide landscape, architecture or indoor shots
in high resolution and distortion-free.



Samyang XP 10mm f/3.5 EF with metal lens cap and Soft pouch


The first thing I notice is the typical XP great build quality, with the brushed metal body that is very nicely sized to fit the hand when holding on a camera. It comes with a brushed black metal lens cap that fits snugly on the front lens hood and a soft grey pouch. The manual focus rubber ring on the outside is very smooth and easy to focus through the optical view-finder or on the back screen. It has a metal lens hood along with electronic coupling to provide Exif data and aperture control via your camera. The lens also has a very wide frontal lens glass which even with the hard plastic petal lens hood edge it is still exposed to the elements such as rain, sleet, snow and bright strong direct light, but this again is a typical problem that you soon begin to get used to when using any wide lens by choosing when to take the photo or not usually by selective composition. And because of this design the lens does suffer a bit with lens flare and ghosting especially when in direct sunlight or very strong bright light sources.

 

 

 


ISO100, F/8, 1/160sec. Full-frame

This is a perfect lens for very detailed landscape or complex architectural images especially if you compose your image/shot with care. If you notice with the image below, all of the straight edges are  without distortions.



ISO1250, f/4, 1/50sec. Full-frame

The detail from this lens is incredible along with the sharpness from edge to edge, as seen in the slightly longer exposure at night bridge shot below. Notice the detail in the bottom corners!

 

 


 

ISO640, f/9, 1.6sec. Full-frame

 

I thought I would be nice to see how it worked on my Mirrorless APS-C Canon M3 camera which has had a Full-spectrum conversion to be able to capture Infrared Images. Again it works well giving a 16mm equivalent full-frame image.

 

 

 

Infrared Image at ISO100, f/11, 1/100sec. APS-c mirrorless full spectrum Canon M3

 

In conclusion the Samyang XP 10mm f/3.5 due to the nature of the design of the lens and if used well will be a fantastic addition for anyone requiring a very Ultra-wide-angle with no distortions such as cityscapes/landscapes/indoor architecture etc with good leading lines within the composition. The colours and contrast levels are fantastic with your resulting images looking vivid, vibrant and have good depth. Couple this with a well-built body design and a weight of 731g it feels nice and solid to hold.

Samyang have again made a wonderful lens to add to any collection.

 


 

 

森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

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为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X?)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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