MEET A PRO

Find a Whole New Perspective on Everything

Manuel Delgado

Photographer from Germany

The year 2020 is for sure a breaking point for the photography industry as the
market got filled with mirrorless cameras from major brands and with them, many
lenses were developed specifically for these systems.

Canon is one example. We now have the first EOS R system, a promise that will be the point of the spear for the years to come for this brand.
Not only we saw the arrival of their first two mirrorless cameras -the Canon Eos R and RP-, but also a line of supreme objectives for the RF mount. No one can deny
the quality of these glasses, becoming some of the best glasses nowadays. In the same way, it′s hard to ignore how expensive they are, getting at the top of the prices.
Taking into consideration the previous asseveration, third-party manufacturers are also developing alternative options for the consumer with more affordable prices

zoom
LENSES AF 14mm F2.8 RF
CAMERA Canon
DIAPHRAGM F4.5
SPEED 1/500 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES AF 14mm F2.8 RF
CAMERA Canon
DIAPHRAGM F5.6
SPEED 1/250 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Samyang is a South Korean
manufacturer of camera lenses with
over 40 years of experience.

They have characterized for producing budget-friendly manual focus objectives with great quality and more recently, becoming an alternative to consider when purchasing autofocus objectives. This year, they produced some of the first manual focus lenses for the RF mount and they become the first manufacturers to offer an autofocus objective for the new Canon′s mirrorless cameras which are also, the widest lens available for this system: the Samyang AF 14mm / 2,8 RF.

The construction of this objective impresses with its quality. In a first impression, it looks very similar to the EF version for Canon DSLR′s.

In a first impression, it looks very similar to the EF version for Canon DSLR′s. The weight is a reasonable 484g that accommodates very well with the Eos R body without appearing cumbersome or too bulky. The lens cap has two clips that place it securely, a little detail that is highly appreciated. When removing it, the lens reveals a fixed petal lens hood around a glass with a semi-spherical element. This means that the objective possesses extra protection while minimizing light glares. However, and because of that, filter threads and holders are not possible to be mounted in the front. This is a pity for landscape photographers who would want to take advantage of the ultra-wide-angle to capture broader sceneries. As a compensation, the back of the lens has a rear filter holder that serves as a slot for gelatin filters.

The exterior of the lens is
minimalistic and visually appealing.

It only has one control ring for focusing. This is electronic in operation and very, very smooth. Focusing is down to 0.2m with a maximum magnification of 0.12x and 9.5cm long. This is helpful in enabling us to get in very close to foreground subjects, taking full advantage of the ultra-wide field of view and its potential for dramatic viewpoints. Again, it looks and functions very similar to its brother for the EF mount. It will be very interesting if Samyang decides to include a control ring like those ones found in Canon′s lenses in order to take full advantage of adaptability with the camera body.

zoom
LENSES AF 14mm F2.8 RF
CAMERA Canon
DIAPHRAGM F5.6
SPEED 1/250 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

There is also just one switch, marked AF/MF and self-explanatory.

This switch is quite firm to operate and quite recessed and small, so there is no way that it will be operated by accident. As a great plus, the lens is weather-sealed, so we can continue shooting if conditions deteriorate. The drawback is that it lacks an image stabilizer. It could be assumed that it won′t be a problem due to its lightweight for handholding, but if Samyang decides to add this feature to their objectives like other third-party manufacturers, they will become for sure some of the favorites by consumers.

Optical construction is 14 elements in 10 groups. There are 3 Aspherical, 1 HR (High Refractive Index) and 2 ED (Extra-Low Dispersion) elements, 7 blades to the diaphragm and Samyang's UMC (Ultra Multi Coating). Images that were taken with this lens prove minimum distortion with a non-common broader perspective of 113.9 degrees.

zoom
LENSES AF 14mm F2.8 RF
CAMERA Canon
DIAPHRAGM F5.6
SPEED 1/250 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES AF 14mm F2.8 RF
CAMERA Canon
DIAPHRAGM F6.3
SPEED 1/100 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

A 14mm lens is a magnificent optic to use, making it possible to include the whole of vast interiors and exterior architecture and to capture sweeping vistas in the landscape.

It is also fair to mention that an ultra-wide-angle lens is not a common objective and the photographer needs to learn how to take advantage of its capabilities. Since these lenses exaggerate the size of foreground objects relative to the background, they are best used in close proximity to the primary subject. The point is to highlight the subject, making it appear proportionally larger than its surroundings or the background. With practice and creativity, a 14mm could become an essential tool for photographers.

The Samyang AF 14mm / 2,8 RF lens behaves faultlessly, focuses truthfully without hunting, and with minimum distortion. For sure, it can help us to find a whole new perspective on everything that surrounds us.

Manuel Delgado

www.photo-picturesque.com

森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

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为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X?)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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